Thursday, March 5, 2009

Chiranjeevi: Praja Rajyam may move Supreme Court

Chiranjeevi: Praja Rajyam may move Supreme Court
Tie-up with a party outside A.P. to use its symbol an option

Party’s legal brains studying Xth Schedule of the Constitution

Praja Rajyam confident of favourable verdict


HYDERABAD: Rattled by the Election Commission’s rejection of its application for a common election symbol, the Praja Rajyam (PR) has desperately begun looking for different options, including a tie-up with another party that does not have a presence in Andhra Pradesh and using its symbol. Before exploring such options, the PR is preparing to move the Supreme Court challenging the Election Commission’s six-page order declaring that it was not entitled to a uniform symbol.

Brave face

PR president Chiranjeevi, however, put up a brave face about the setback. Fielding questions at an impromptu meeting with presspersons after his return from Mahabubnagar on Tuesday, he said,

“We are still fighting and will continue to do so till the last minute. In the event of failure, we have alternative plans.” Repeated queries about the fall-back options failed to elicit a response beyond that the party was likely to move the Supreme Court.

Later, when asked specifically, Mr. Chiranjeevi told The Hindu that one of the options they were looking at was to tie-up with a party that did not have a presence in Andhra Pradesh and use its symbol. The party’s legal brains, he said, were studying the Xth Schedule of the Constitution that clearly stipulated how a break-up could happen between two parties that contested the elections on a common symbol.

PR general secretary Parakala Prabhakar said, “We are confident that the Supreme Court will ask the EC to use its discretionary powers to give us a common symbol.”

Praja Rajyam likely to move apex court

Special Correspondent

We will continue to fight till the last, says Chiranjeevi

‘Tie-up with another party outside State is another option’


HYDERABAD: Rattled by the Election Commission’s rejection of its application for a common election symbol, the Praja Rajyam has desperately begun looking for different options, including a tie-up with another party that does not have a presence in Andhra Pradesh and use its symbol.

Before exploring such political options, the PR is preparing to move the Supreme Court challenging the Election Commission’s six-page order declaring that it was not entitled to a uniform symbol.

PR president Chiranjeevi, however, put up a brave face about the setback. Fielding questions at an impromptu meeting with presspersons after his return from Mahabubnagar on Tuesday, he said, “We are still fighting and will continue to do so till the last minute. In the event of failure, we have alternative plans.”

Repeated queries about the fall-back options failed to elicit a response beyond that the party was likely to move the Supreme Court.

Later, when asked specifically, Mr. Chiranjeevi told The Hindu that one of the options they were looking at was to tie-up with a party that did not have a presence in Andhra Pradesh and use its symbol. The party’s legal brains, he said, were studying the X Schedule of the Constitution that clearly stipulated how a break-up could happen between two parties that contested on a common symbol.

When contacted, senior party leader P. Shivshanker elaborated that if an arrangement materialises with a party outside the State, the latter could write to the EC saying it had no objection to the symbol being given to the PR. Once the elections were over, the PR would get its identity back through an amicable split.

Proof put up

PR general secretary Parakala Prabhakar said, “We are confident the Supreme Court will ask EC to use its discretionary powers to give us a common symbol. We have put up all the papers -- including proof of Mr. Chiranjeevi’s immense popularity in the form of videos showing the turnout at his public meetings and roadshows, newspaper clippings and proof that our membership had exceeded 50 lakh.

Chiranjeevi floors people in Mahabubnagar Correspondent
Crowds respond with loud cheers despite his speeches being repetitive

Youth wait patiently for hours in the sun

Chiru tastes lambadas’ food, dances with tribals


MAHABUBNAGAR: The mood among the workers and leaders of Praja Rajyam is upbeat what with huge turnouts at the road shows addressed by actor-turned-politician and party chief Chiranjeevi.

During his four-day tour in the district, which concluded on Monday night, he covered 13 Assembly constituencies in the district . The lone Assembly segment left was Alampur.

Though Chiranjeevi’s speech was repetitive, the crowds responded with loud cheers whenever he criticised Congress and Telugu Desam parties. Most of them were youth who waited patiently for hours in the scorching sun to have a glimpse of their favourite hero.

Mr. Chiranjeevi appealed to the people to vote for Praja Rajyam for a change, development of the State and corruption-free governance. He lashed out at the government and Telugu Desam for ignoring people’s problems and indulging in corruption.

He said Mahabubnagar was not a backward district, but it was “pushed backward” by the successive governments though there were resources aplenty. Although river Krishna traverses through the district, the governments failed not only in providing water for irrigation but also drinking water. Due to lack of water for irrigation, people were forced to migrate to other places in search of livelihood, he added.

He tried to touch the hearts of people evincing concern over their miseries. Mr. Chiranjeevi interacted with the farm labourers who were migrating to Mumbai by boarding a Mumbai-bound RTC bus which happened to go past his convoy. He also interacted with the lambadas at Sarvareddypally tanda. Besides tasting their food, he danced with them. Mr. Chiranjeevi also took interest in the problems faced by handloom weavers in the district.

Pawan Kalyan rapped on fluoride issue

Women’s Day celebrations

The Gateway Hotel is organising International Women’s Day celebrations on Saturday and Sunday by offering 50 per cent discount to all women who visit either the multi-cuisine restaurant (Stir) or Chinese restaurant (Jade) for lunch or dinner on the two days. The offer is valid both on buffet lunch and buffet dinner at Stir as well as fixed meal lunch and dinner at Jade. For more details, call Nutan on 9295011022.

Women’s Day celebrations

The Gateway Hotel is organising International Women’s Day celebrations on Saturday and Sunday by offering 50 per cent discount to all women who visit either the multi-cuisine restaurant (Stir) or Chinese restaurant (Jade) for lunch or dinner on the two days. The offer is valid both on buffet lunch and buffet dinner at Stir as well as fixed meal lunch and dinner at Jade. For more details, call Nutan on 9295011022.

Pawan Kalyan rapped on fluoride issue

Special Correspondent

KADAPA: CITU district president A. Raghunath Reddy on Wednesday alleged that Yuva Rajyam president Pawan Kalyan’s lack of comprehension was evident by his remarks at Nalgonda on Tuesday that there was be no fluoride problem in the Chief Minister Y.S. Rajasekhara Reddy’s native district.

Nine villages in five mandals of Kadapa district have fluoride problem, but Yuva Rajyam president’s remarks was due to lack of awareness, Mr. Reddy alleged. Fluoride water problem was persistent in Eguva Nelatur and Gopireddipalle villages in Brahmamgari Matham, N. Palagiri and Sangalapalli villages in Veerapunayunipalle mandal, Akkampet and Kuppavaripalle village in Kamalapuram mandal, Gopaveedupalli and Gajulapet villages in Ramapuram mandal and Dugganapalli in Veeraballe mandal in Kadapa district, he said.

Some villages in Badvel and Pulivendula areas too had fluorosis. Mr. Pawan Kalyan should realise that the Chief Minister took no steps to resolve the fluoride problem in the nine villages of Kadapa district, Mr. Reddy said.

NTP, PR aspirants’ hopes dashed

WARANGAL: The merger of Nava Telangana Party (NTP) into the Praja Rajyam has not brought cheers to workers of either party, but has only dashed the hopes of prospective candidates in the district.

The competition for Assembly tickets within the Praja Rajyam was intense. The merger compounded the woes the aspirants.

Speaking to The Hindu, Puli Sarangapani, a retired academic who held key-position in the NTP, agreed that there was intense competition for tickets. However, both the parties welcomed the merger. Mr. Sarangapani said the problem of dissidence would be less in Praja Rajyam compared to the established political parties. “A majority of aspirants are new to politics. Even if they sulk, they cannot harm the chances of the official candidates,” he contended.

Suresh Raina more confident now

Suresh Raina more confident now
He isn’t a stranger to failure and its consequences
— Photo: AP Trusting his instincts: Suresh Raina’s explosive counter-attack at Napier was weighted with risk, but his faith in his instincts paid off.

Wellington: There was much that will have gladdened India in the first ODI: the improved application and expression of the batsmen; the control and penetration of the new-ball pair.

And there were a few things at Napier that will have caused it concern, mild or otherwise: the continued tardiness in the field; the third seamer’s lack of efficiency.

Suresh Raina’s explosive half-century, a knock of contextual significance, belongs in the first category — of that there is no doubt. But it is of particular interest because it fore-grounded the interplay of the oldest dynamic in batsmanship: that between instinct and method, near impossible to separate because at some level, each feeds the other.

When the left-handed Raina joined his captain M.S. Dhoni, New Zealand was just beginning to get a toe in the door. Dhoni and Yuvraj Singh struggled to maintain the rapid tempo the incomparable Virender Sehwag had set, and when Yuvraj was run out, the possibility of a debilitating slide was real.

Two choices

Raina had two choices before him. To play himself in, following the tried and tested method, or, if he felt his game was in order (and batsmen know these things almost immediately), to counter-attack, thereby transferring the pressure to New Zealand.

Both approaches were weighted with risk. In the first approach, considerable ground may have been ceded to the opposition, not ideal when batting first in conditions that allow quick-scoring.

In the second, Raina ran the risk of being seen as a fool. As his skipper said, he could have got out and looked really ugly.

Consider the fact that Raina isn’t a stranger to failure and its consequences, and you realise how difficult the choice was. Just 22, Raina has already had two careers in international cricket. He was the generously gifted teenager, waiting to become India’s next batting superstar, when Greg Chappell was coach.

Chappell’s assessment appears remarkable in hindsight, for Raina’s is a talent that doesn’t appeal immediately. The stiff front leg when driving through cover, causing the hands to force themselves at the ball often resulted in the bat passing the perpendicular when making contact.

So he rarely kept such strokes to ground. It was a vulnerability that looked particularly compromising when there was movement for the bowlers, either in the air or off the track.

Raina paid by losing his spot in India’s limited-overs squad. He was, in any case, competing with several others of similar standing. Fortunately he wasn’t lost in the systems fissures like his State senior Mohammed Kaif.

Big benefit

Last years IPL benefited Raina tremendously. The Chennai Super Kings must be commended for investing in him — obviously they saw something. The left-hander from Uttar Pradesh had the opportunity to better understand how Dhoni operated. Dhoni, in turn, could assess Raina from close quarters. Raina profited from Dhoni’s philosophy that a cricketer is best served playing his natural game. Simultaneously, Raina refined his instincts within the framework of his natural ability — all batting is reaction, indeed the zone batsmen allude to involves transcending conscious thought, but there is always room for conditioning, as long as it complements a batsman’s tendencies.

Dhoni liked what he saw in Raina. He returned to Indian colours in Bangladesh, and made two centuries and two half-centuries in the Asia Cup in Pakistan; Raina also played a vital role in tackling Ajantha Mendis and Muttiah Muralitharan when India won a rare ODI series in Sri Lanka last year. The upshot of all this is that the Raina of today is a more confident, better rounded batsman than the one who made his debut in 2005.

At Napier, the surety of Raina’s touch and his faith in his instincts were most impressive. He has a good thing going with the swing to deep mid-wicket, a stroke too secure and versatile to be classed a slog. It can handle a variety of lengths and lines and styles, for Raina sets himself well. Besides, it counterpoints his square-drive, another stroke that can find and clear the boundary.

As he showed in the first Twenty20 International in Christchurch, he can also hold an innings together. Not many return after being written off, and Raina, in breaking through a richly talented batting line-up for the second time, has done wonderfully well.

filmo graphy as actor -director-writer-stunts

Filmography as Actor

pavan kalyan
Satyagrahi (2008)
Jalsa (2008) - Sanjay Sahu
Shankardada Zindabad (2007) - Special Appearance
Annavaram (2006) - Annavaram
Bangaram (2006) - Bangaram
Balu (2005) - Balu
Gudumba Shankar (2004) - Shankar
Johny (2003) - Johny
Khushi (2001) - Sidhartha Roy
Badri (2000) - Badrinath
Thammudu (1999) - Subrahmanyam/Subhash
Tholi Prema (1998) - Balu
Gokulamlo Seetha (1997) - Pavan
Suswagatham (1997) - Ganesh
Akkada Abbai Ikkada Ammayi (1996) - Kalyan

Filmography as director/writer/stunts

Satyagrahi (2008) - director,writer
Gudumba Shankar (2004) - writer
Johny (2003) - writer,director
Daddy (2001) - stunts
Khushi (2001) - stunts

Sunday, March 1, 2009

Tunes of friendship

Tunes of friendship

MANJARI SINHA

The Friendship Concert struck all the right notes and a concert by debutants held promise.

IN HARMONY Violinist Anupriya Deotale and Ameer Khusro (below) during the "Friendship Concert" in New Delhi . PHOTOS: SHIV KUMAR PUSHPAKAR

The Indian Council for Cultural Relations (ICCR) and Ameer Khusro Centre for Music jointly organised a Friendship Concert at the Kamani Auditorium recently.

It was supposed to be a trio of musicians from Pakistan, Canada and India with vocal and instrumental music but Akbar Ali, the vocalist from Pakistan, could not make it. Hence, Anupriya Deotale from India and Anwar Khurshid from Canada presented an evening of instrumental music on violin and sitar.

Anupriya was initiated in to classical music by P.L. Dandwate. She learnt violin later under S.L. Kandara and Ustad Amjad Ali Khan and is presently training under Pandit Ram Narayan. Anwar Khurshid, the director of Sitar Institute, Toronto, on the other hand, started his vocal training under Arif Jaffery and performed from Radio Peshawar before switching over to sitar under Nasiruddin Khan. He also learnt tabla from Tufail Khan. Anwar is presently training under Ustad Shahid Parwez.

Both Anupriya and Anwar took their solo turns before concluding the Friendship Concert with a jugalbandi (duet) on violin and sitar .

Impressive

Anupriya opened the concert with raga Jhinjhoti, playing aalap, a slow composition in Jhap tala followed by two compositions in medium and fast tempo Teen tala. She impressed with her bowing technique, especially during the gamak ang taans. She also showed a good command over sur and laya which never missed its mark. Gyan Singh accompanied her on the tabla but most of the time his repartees had nothing to do with what Anupriya played on violin except for the tisra gati ka kaam.

Anwar Khurshid’s raga Desh on the sitar came as the second choice after Anupriya’s main raga Jhinjhoti. One could notice the rounded tonal quality of his guru Shahid Parvez’s sitar in his tuneful rendering of the melodious raga. The brief introductory aalap was followed by the masitkhani and razakhani gat compositions set to Teen tala. Anwar played the raga with repose, totally devoid of artifice or gimmicks, but the sense of spontaneity was missing and it sounded like a lesson learnt by heart. Jitendra Kumar Swain gave him commendable support on the tabla. The concert concluded with a jugalbandi in raga Kirwani where Anupriya overshadowed the guest artiste.

Debut concert

Amaltas auditorium at New Delhi’s India Habitat Centre recently saw the debut concert by the gifted disciples of Shubha Mudgal and Aneesh Pradhan. Called ‘Arambh’, the evening opened with the vocal recital of Shantanu Herelekar, a young disciple of Shubha, who presented raga Bihag with full confidence. Abhimanyu, the disciple of Pradhan, who also accompanied Shantanu, gave a tabla solo performance in Teen tala. The gifted adolescents Shantanu and Abhimanyu are siblings and are pursuing their chosen art forms with dedication.

Shweta Deshpande, who gave a vocal recital as the concluding performer, comes from a music-loving family of Nanded. She has been learning from Shubha for the past four years. Shweta has an open aakar and maintains a consistent tunefulness. She opened with the timely raga Yaman and gave it an orderly and artistic treatment during the slow Ek tala and madhya Teen tala compositions.

She concluded her vocal recital with a lilting Dadra in Pilu. Vinay Mishra on harmonium and Sandesh Raje on tabla gave her the most desired support.

A.R. Rahman says he knows no magic but gives music from the heart.

Thank God!

ZIYA US SALAM

The man of the moment, A.R. Rahman says he knows no magic but gives music from the heart.


You have to have a feel for the subject. I go by my instinct.


Out to unite the world! A.R. Rahman remains humble in unprecedented success and popularity.

This week Allah Rakha Rahman went to bed with a couple of Academy Awards by his side in Los Angeles. Back in India, Golden Globes and BAFTA awards vied for space on the mantelpiece. Rahman is clearly spoiled for choice. No Indian had ever found himse lf in such a situation. So, when he is asked about his remarkable achievement, the 40-something Rahman, who looks younger than his years, only manages to say, “Alhamdolillah” (All Praise to Allah).

Call it humility, for there is no other way to describe the words. After all, a little earlier at the Oscar night, he had said something similar, “God is great”. And then he thanked his mother for being with him on the special occasion. First God, then mom. This at a time when launching into a diatribe against the neglect of Indian film music would have been accepted, and a bit of self-admiration not out of place either.

Allah forever

None of this for Rahman. You greet him for the unprecedented awards, telling him how we all have been enjoying his works, right from the time of “Roja” that got him the National Award on to “Slumdog Millionaire” via those wonderful tunes of “Bombay”, “Saathiya”, “Guru”, “Rang De Basanti”, etc. and he merely smiles. Then says, “JazakAllah” (May Allah reward you).

Clearly, Allah is for ever in the thoughts of Rahman! “I would not have been disappointed had I not got the awards but they mean so much to our country. Hopefully, there will be great respect for our music from hereon.”

But there is obviously both respect and recognition for our musicians. Remember Ustad Zakir Hussain just got a Grammy. “I had hoped for this for quite some time. Not necessarily Oscar but the feeling of uniting the world with our music. And people had always appreciated our classical music.”

In the run-up to the Oscars, when the media was talking up India’s chances, Rahman had cautioned, “The music score of ‘Slumdog Millionaire’ has won six reputed awards already. It is better to keep the hype low on Oscars since they are unpredictable.” Well, on the Golden Night, the Oscars for Rahman were anything but unpredictable.

“I was a little nervous. But I had nothing to lose. When I got the first award, I was happy but it sunk in with the second award only.”

Why?

“I had to perform after the first award, so I was concerned about the tune,” he repeats, matter of fact. No airs, no trace of arrogance. Just a depiction of very human feeling.

Hasn’t the film been guilty of selling India’s poverty to the world?

“Thanks to ‘Slumdog…’ more children can be benefited. And our music has been recognised.” He is again succinct.

How is the sensibility different for, say, a “Slumdog…” from the more recent “Delhi-6” to earlier ones like “Jodhaa-Akbar”?

“It is just music. You do it with devotion. You have to have a feel for the subject. I go by my instinct,” says the Mozart of Madras.

He, clearly is a man of few words. Very few words. A friend in L.A. tries to get more from him. Not much, it turns out.

So, how has been his journey from being Dileep Kumar to A.R. Rahman, from the days of Trinity College of Music to the Oscars?

“Alhamdolillah. I want to thank the Almighty for making this possible. I am very grateful for all the love and prayers from all my fans, friends and family. Jai ho! I have been fortunate to get recognition. Our country has so many talented artistes. God has been kind.”

Beyond God and mom, what is his secret success mantra?

“I have no magic. Whatever I do, I do from the heart”. Simple words. Spoken “Dil Se”.

All they want is love

All they want is love

M.L. NARASIMHAM

‘18-20 Love Story’ is not a regular boy-meets-girl story, the makers promise.


Sivaji helps the young lovers and why he does so will keep the audience guessing

Different folks: Shradha Das and Sivaji in a still from the film.

As we stepped into the white house, an angry Vinod Kumar is facing the camera. He looks every bit a wealthy businessman, and his ire is directed at his daughter (played by debutante Rineel Rauth) as his wife (Deepa) and a key character in the family (Jhansi) wear terrified expressions. Once the actor’s fretting and fuming is over, director Radhakrsihna walks up and talks to the senior actor. It looks like the director expected some more emphasis while delivering the dialogue. Vinod Kumar smiles and once Sivakumar’s camera rolled, he gets into the skin of the character and this time performed the way the director wanted him to.

The shot is for Shilpi Creations’ maiden venture, 18-20 Love Story, produced by T. Nageswara Rao and K. Ramesh Babu. Rineel hails from the U.S and is new to acting. Sivaji is cast in a major role as a dada who does various kinds of settlements in that area. Exhibitor-distributor turned producer Nageswara Rao says that one has to believe to see the actor in such a refreshingly new role with a mass touch. Shradha Das plays an orphan who runs an orphanage and is the love interest of Sivaji.

The sprawling drawing room with a décor that reveals the lavish lifestyle of the business tycoon, once again buzzes with activity as the shoot recommences after a tea break. This time it is for the teen heroine Rineel to air her views to her dad. She tries to convince him about the young man she is deeply in love with. The dad, as in many previous films, frets over his social status and questions how he can possibly give his daughter in marriage to a dhabawala (played by Manoj).

The scenes where the young hero Manoj runs his dhaba were shot earlier near Anakapalli, informed producer Rao. Manoj was earlier a child actor and played the younger version of Mahesh Babu (Athadu) and Prabhas (Chatrapati). Chinna plays his father and newcomer Anitha, his mother.

Is it a period story that dates back to the nineteenth century? Rao laughs. It is not a circa 1820 love story. The dates are separated by a hyphen mark and it is not the young pair’s age too. Guess what it will be? He leaves that in suspense.

Though it is a love story, the emphasis is on mother sentiment, informs the producer warning us before hand not to expect just another of those teenage love stories. Pragathi plays Sivaji’s mother and he does anything for his mother, even at one stage renouncing the path of violence to keep her happy. But before that happens, a lot of action takes place. He helps the young lovers unite and why he does that forms the twist in the central plot, says Rao, again keeping things under wraps.

The unit shot five songs (composed by Sri Murali) in scenic Bangkok, Anakapalli and in Hyderabad.

As we turn towards the performers, it is now the turn of the irrepressible Jhansi to intervene. But Vinod Kumar does not relent. The emotion charged scene brought with it absolute silence among the unit. It is Radhakrishna’s second venture and the producer wants his film to get him the big break. “He is doing a fantastic job.” The movie is slated for release in mid-March.

PR scouts for symbol

PR scouts for symbol

Plans to use the symbol of other parties if it fails to get common symbol


HYDERABAD: The Praja Rajyam has started discussions with some national parties as well as regional parties outside the State seeking their permission to use their symbol in the forthcoming elections.

This follows the party’s doubt on whether it could secure a common symbol for the forthcoming elections. The Election Commission turned down its request for a common symbol on the ground that only recognised political parties were eligible for a permanent election symbol under the Election Symbols (Reservation and Allotment) (amendment) Order 2005. Registered parties, according to the EC, could chose from the available free symbols, but the party approached the High Court against the EC order seeking a common symbol as going to election without a common symbol would not be in the interest of the party. The High Court on February 6 directed the EC to reconsider the request and submit a report to it within three weeks.

Even as the deadline is set to expire, the PR leadership, according to sources, is not hopeful of securing a favourable response from the EC. The party had, therefore, decided to approach the Supreme Court, but at the same time, started exploring alternatives in the event of its plea failing to yield results in the Apex Court too.

PR president K. Chiranjeevi told reporters who met him on Friday that the party had commenced negotiations with national as well regional parties in other States. The Nationalist Congress Party was the first one to give green signal to the PR to use its symbol.

Madiga Samiti activists attack Gandhi Bhavan

Power-cut

Power supply will not be available at Gandhi Nagar and Enikepadu sections between 7 a.m. and 1 p.m. on Sunday. Similarly, there will be no power supply at Governorpet section between 8 a.m. and 1 p.m., a press release said

Madiga Samiti activists attack Gandhi Bhavan

HYDERABAD: The SC reservation categorisation agitation took a militant turn when Madiga Reservation Porata Samiti (MRPS) activists made an abortive bid to set fire to Gandhi Bhavan on Saturday evening. Three MRPS activists and two Gandhi Bhavan staffers sustained burns as they grappled with each other.

There was not much damage to the building, the headquarters of the Andhra Pradesh Congress, as only some furniture at the reception counter was burnt.

The condition of two MRPS agitators, Surendar Madiga and Damodar Madiga, was stated to be critical. They were shifted to Apollo Hospitals in Jubilee Hills

BSNL slashes STD rates

HYDERABAD: The Bharat Sanchar Nigam Ltd (BSNL) on Saturday announced slashing of STD rates to landline/WLL (all networks). Customers can now speak for two minutes, in one unit of two minutes pulse, effectively making the charge 50 paise a minute. A press release issued by BSNL said the extra deposit for STD has also been removed.

Special Correspondent

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hyderabad, telangana, India
main event to say friends about prajayam